Benevolence

About

Gilles Jean, big-time lawyer, returns to his hometown of Benevolence to try a troubling case involving the child of an old friend. But with the ghosts of his deceased brothers and father peering over his shoulder, and his mother asking after the state of his soul, homecoming is no easy thing. This pitch-black comedy (presented in a new English translation) offers a surreal reflection on our small cowardices and our great contradictions.

Presented in a new English translation by Leanna Brodie.

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A guest production from Ruby Slippers Theatre.

BENEVOLENCE
by Fanny Britt
translated by Leanna Brodie
Sept 30 – Oct 15, 2022

Gilles Jean, big-time lawyer, returns to his hometown of Benevolence to try a troubling case involving the child of an old friend. But with the ghosts of his deceased brothers and father peering over his shoulder, and his mother asking after the state of his soul, homecoming is no easy thing. This pitch-black comedy (presented in a new English translation) offers a surreal reflection on our small cowardices and our great contradictions.

Featuring Charlie Gallant, Chris Lam, Paul Moniz de Sá, Stephanie Wong, and Beatrice Zeilinger.

Directed by Diane Brown. Sound Design by Rick Colhoun. Set and Lighting Design by John Webber. Costume Design by Jessica Oostergo. Properties by Monica Emme. Stage Management by Nico Dicecco. Apprentice Stage Management by Dayna Horn. Technical Direction by Daniel O’Shea.

ADVISORY INFORMATION: The play includes strong language, religious profanity, discussions of sex, and frank descriptions of death, including the death of a child. If you have concerns, please contact our box office at 604-731-5518 or tickets@pacifictheatre.org.

Here's what they say about the show

Wendy Brundige

Thoroughly enjoyed this intimate theatre. Really felt for the moral dilemma and Charlie Gallant portrayed so well a troubled soul. Kudos to all involved.

Colleen Cruickshank

Benevolence makes for a great discussion with friends after the show - remembered dialogue, subtleties, nuances, and Gilles' internal conflict. As people left the theatre, the frequent comment was "Wow!" Bravo for the compelling acting, effective staging and lighting, and this amazing play!