May 16, 2024 — Jun 9, 2024
Two young fathers — a mortgage broker, and a plant worker desperate to buy a piece of land — meet to discuss a loan in an unassuming cubicle.
Tickets | Date | Time | Special Performances |
---|---|---|---|
Unavailable | Thu, May 16, 2024 | 7:30 pm | Preview |
Unavailable | Sun, Jun 9, 2024 | 2:00 pm | Matinée |
May 16, 2024 — Jun 9, 2024
1 hour, 30 min. (15 min. intermission) Audience Advisory
Strong language, discussions of grief and death.
Two young fathers — a mortgage broker, and a plant worker desperate to buy a piece of land — meet to discuss a loan in an unassuming cubicle. As Keith and Ryan grapple with the realities of adulthood, a shared quest for meaning and belonging transcends the systems that fence them in.
A Pacific Theatre production
Playwright
Playwright
Hunter was born and raised in Moscow, Idaho. He is best known for plays A Bright New Boise, which won the 2011 Obie Award for playwriting, and The Whale, which won the 2013 Drama Desk Award and the 2013 Lucille Lortel Award for Outstanding Play. He is also the recipient of a 2014 MacArthur Fellowship. He has also been a guest lecturer at Rutgers University–New Brunswick, Fordham University, and other universities.
Director
Director
Kaitlin Williams is an interdisciplinary theatre artist born and raised on the unceded, shared territory of the Musqueam, Squamish and Tsleil-Waututh nations. Since earning her BFA in Acting at the University of Victoria, she has shared her heart and skills with many productions as a director, actor, and costume designer.
A long-time member of the Pacific Theatre community, Kaitlin began her theatre career in 2009 as a PT apprentice. She has had the honour of serving as Artistic Director since 2020. PT directing highlights: A Case for the Existence of God, Empire of the Son, God Said This, Wakey, Wakey, Kim's Convenience, Mother of the Maid, Almost Maine, Testament; PT acting highlights: The Lion, the Witch, and the Wardrobe, The Foreigner, Jesus Freak, It’s a Wonderful Life.
Kaitlin has also worked with Bard on the Beach, the Arts Club, the Belfry Theatre, ITSAZOO, Delinquent Theatre, the Electric Company, Chemainus Theatre, Western Canada Theatre, Touchstone Theatre, Rumble Theatre, and many others. She has been grateful to receive Jessie nominations for both her acting and directing. In 2022 Kim’s Convenience won Calgary’s Betty Mitchell Award for Outstanding Production. She serves on the Canadian Actor Equity Association’s Director, Choreographer, Fight and Intimacy Directors’ Advisory Committee.
Above all, Kaitlin is a community builder and believes theatre is one of the best ways we can commune together--to bear witness to what it means to be human, grow in our empathy, and collectively attempt to gain a deeper understanding of the world around us. Kaitlin has served as Pacific Theatre’s Artistic Director since September 2020. When not in the theatre she is happiest spending time with her husband Ben, and their daughter Mirren June.
Actor/Fight Director
Actor/Fight Director
Actor
Actor
Stage Manager
Stage Manager
The good. The not so good.
(But mostly the good.)
“Go behind the curtain with invitations to talk-back nights and special community events.”
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