May 14, 2025 — Jun 7, 2025
Welcome to Co-Dependents and Sex and Love Addicts Anonymous.
art by Yvonne Fabian
Tickets | Date | Time | Special Performances |
---|---|---|---|
Unavailable | Wed, May 14, 2025 | 7:30 pm | Preview |
Unavailable | Thu, May 15, 2025 | 7:30 pm | Preview |
Unavailable | Fri, May 16, 2025 | 8:00 pm | |
Unavailable | Sat, May 17, 2025 | 2:00 pm | Matinée |
Unavailable | Sat, May 17, 2025 | 8:00 pm | |
Unavailable | Sun, May 18, 2025 | 2:00 pm | Matinée |
Unavailable | Wed, May 21, 2025 | 7:30 pm | Wine Wednesday (with Nelson Boschman & Kaitlin Williams, featuring NkMiip Wine) |
Unavailable | Thu, May 22, 2025 | 7:30 pm | 2 for 1 |
Unavailable | Fri, May 23, 2025 | 8:00 pm | |
Unavailable | Sat, May 24, 2025 | 2:00 pm | Matinée |
Unavailable | Sat, May 24, 2025 | 8:00 pm | |
Buy Tickets | Sun, May 25, 2025 | 2:00 pm | Matinée |
Buy Tickets | Wed, May 28, 2025 | 7:30 pm | |
Buy Tickets | Thu, May 29, 2025 | 7:30 pm | |
Buy Tickets | Fri, May 30, 2025 | 8:00 pm | |
Buy Tickets | Sat, May 31, 2025 | 2:00 pm | Matinée |
Buy Tickets | Sat, May 31, 2025 | 8:00 pm | |
Buy Tickets | Sun, Jun 1, 2025 | 2:00 pm | Matinée |
Buy Tickets | Wed, Jun 4, 2025 | 7:30 pm | |
Buy Tickets | Thu, Jun 5, 2025 | 7:30 pm | |
Buy Tickets | Fri, Jun 6, 2025 | 8:00 pm | |
Buy Tickets | Sat, Jun 7, 2025 | 2:00 pm | Matinée |
Buy Tickets | Sat, Jun 7, 2025 | 8:00 pm |
May 14, 2025 — Jun 7, 2025
2 hours, 15 min. (15 min. intermission) Audience Advisory
This production contains the strongest possible language and explicit discussions about sex, sexual behaviour, childhood sexual abuse and trauma, and pedophilia. It is recommended for ages 19+. Contact info@pacifictheatre.org for more detailed content guidance.
The play includes discussion of sex, sexual behaviour, trauma, infidelity, childhood sexual abuse, pedophilia, and pornography. No abuse is depicted onstage. This is a 19+ show.
A character is revealed, over the course of the play, as a pedophile who has not acted on his attraction, and is terrified of doing so. The other characters must wrestle with whether this meeting is a place that can offer support to someone in his situation.
A character faces a re-surfacing of childhood experiences of sexual abuse. She verbally describes/relives these experiences but they are not depicted on stage.
The recommended age for this show is 19+
The recommended age for this show is 19+
Welcome to Co-Dependents and Sex and Love Addicts Anonymous. In an empty church activity room, five people share their stories and try to connect in the face of stigma, intersecting trauma, and wildly disparate experiences. When a participant expresses an unanticipated desire, the group must evaluate the limits of their tolerance, trust, and acceptance.
The audience joins the Meeting in real time, staged in the Chalmers activity room at Pacific Theatre.
This up-close exploration of community care surprises at every turn, revealing vulnerable people grasping for meaning in their lives and relationships. Is restorative justice possible?
The second act of each performance will be a Talk Forward: a facilitated discussion with a featured guest speaker. This is not an auxiliary event. It’s built into the experience of the show. We begin with a brief interview, followed by discussion, allowing the audience to share insights, questions and even debate. Theatre rarely offers opportunities for an audience to collectively process what they have just witnessed, typically forcing audiences to process on their own. Pacific will test this Talk Forward model, collectively holding space for the audience to process what has been surfaced for them by the dramatic material.
A guest production by ITSAZOO Theatre in association with Neworld Theatre and Pacific Theatre | Website
Playwright
Playwright
Decades after performing her first professional plays at Pacific Theatre, Katherine Gauthier is honoured to return with her debut full-length play—sharing it with an artistic community she deeply admires.
An actor, creator, and writer, Katherine has worked on some of Canada’s leading stages, including the Shaw Festival, Arts Club Theatre, Théâtre la Seizième, and over a dozen productions at Soulpepper Theatre. She’s a four-time Dora Award nominee, a two-time Jessie nominee, and recently won Best Actress at the Hamburg Film Awards.
A graduate of the Soulpepper Academy and Nightwood Theatre’s WriteFromTheHip program, Katherine is passionate about telling her own stories. Her short film Age of Consent has earned international acclaim, while her next screenplay, Meat Baby—a top-three finalist at Slamdance—is set for production in 2026.
Film/TV credits include The Boys (Amazon), Albatross, The Strain (FX), and Deep Six.
There are so many people to thank for this moment, but most of all, she wants to recognize that none of it would have been possible without the support from her mom, Donna—the one who held space for it all—and her partner, Ben—the one who loved her through it all.
Dawn
Dawn
Kaitlin Williams is an interdisciplinary theatre artist born and raised on the unceded, shared territory of the Musqueam, Squamish and Tsleil-Waututh nations. Since earning her BFA in Acting at the University of Victoria, she has shared her heart and skills with many productions as a director, actor, and costume designer.
A long-time member of the Pacific Theatre community, Kaitlin began her theatre career in 2009 as a PT apprentice. She has had the honour of serving as Artistic Director since 2020. PT directing highlights: A Case for the Existence of God, Empire of the Son, God Said This, Wakey, Wakey, Kim's Convenience, Mother of the Maid, Almost Maine, Testament; PT acting highlights: The Lion, the Witch, and the Wardrobe, The Foreigner, Jesus Freak, It’s a Wonderful Life.
Kaitlin has also worked with Bard on the Beach, the Arts Club, the Belfry Theatre, ITSAZOO, Delinquent Theatre, the Electric Company, Chemainus Theatre, Western Canada Theatre, Touchstone Theatre, Rumble Theatre, and many others. She has been grateful to receive Jessie nominations for both her acting and directing. In 2022 Kim’s Convenience won Calgary’s Betty Mitchell Award for Outstanding Production. She serves on the Canadian Actor Equity Association’s Director, Choreographer, Fight and Intimacy Directors’ Advisory Committee.
Above all, Kaitlin is a community builder and believes theatre is one of the best ways we can commune together--to bear witness to what it means to be human, grow in our empathy, and collectively attempt to gain a deeper understanding of the world around us. Kaitlin has served as Pacific Theatre’s Artistic Director since September 2020. When not in the theatre she is happiest spending time with her husband Ben, and their daughter Mirren June.
Linda
Linda
Carmela Sison (she/her/siya) is a Filipina-Canadian artist living and working on the stolen territories of the Musqueam, Squamish, and Tsleil-Waututh Nations. A graduate of the University of Alberta’s BFA in Acting program, she has been working in theatre and film since 2010. Select theatre credits include her Tagalog adaptation of A Taste of Empire by Jovanni Sy, Lasa ng Imperyo, which had its world premiere at PuSh Festival 2025, Kamila Sediego’s Homecoming (Urban Ink), Miss Bennett: Christmas in Pemberley (Arts Club), Two Gentlemen of Verona, The Merchant of Venice (Bard on the Beach), Much Ado About Nothing (Theatre Calgary), Are We There Yet?, Consent, Under Cover (Concrete Theatre), Cowboy Vs. Samurai (Chromatic Theatre). Beyond acting she has also taken on producing, arts administration, and coaching for young actors.
Arthur
Arthur
Marcus’ dozen plays include Winners and Losers, Ali & Ali and the aXes of Evil, King Arthur’s Night, Jabber, The In-Between, A Line in the Sand, not to mention two East Van Pantos. They have been produced in multiple languages in more than twenty countries across North America, Europe and Asia. He is a recipient of the Siminovitch Prize for
Theatre for his body of work as a playwright and mentor. Other awards: Germany’s Ikarus Prize, Vancouver Mayor’s Arts Award, Alcan Performing Arts Award, Chalmers' Canadian Play Award, Seattle Times Footlight award, Vancouver Critics’ Innovation award (three times), Canada Council Staunch-Lynton Award and an Honorary Fellowship from Douglas College. As an actor, Marcus’ favourite roles include Marcus (!) in Winners and Losers (Neworld/Theatre Replacement/Crow’s), the Ghost in Hamlet (Bard on the Beach), El Fayoumy in The Last Days of Judas Iscariot (Pound of Flesh/Cultch/Neworld/Pacific), as well as Merlin in King Arthur’s Night, Ali Ababwa in Ali and Ali & Ali the aXes of Evil, and Ian in The Boy in the Moon (all Neworld).
Patrick
Patrick
Chris Lam 林子榮 is a Chinese Canadian director/actor who is based on the unceded and ancestral territory of the Musqueam, Squamish, and Tsleil-Waututh Nations, also known as Vancouver. Favorite credits include Benevolence (Ruby Slippers Theatre), A Prayer for Owen Meany (Ensemble Theatre Company), The Music Man (Gateway
Theatre). He is the co-artistic director of Ensemble Theatre Company and recipient of the Jean Gascon Award and the Ray Michal Award for outstanding body of work by a director. He is a graduate of Douglas College and Langham Director’s Workshop. He is currently pursing his MFA in Directing at UBC. www.thechrislamshow.com
Rob
Rob
Sebastien is an actor, playwright and Co-Artistic Producer of ITSAZOO Productions. He lives on the ancestral and stolen lands of the Coast Salish peoples with his wife (who directed this play!) and two glorious children. For ITSAZOO, he has created and/or produced numerous shows, including: Sunrise Betties; The Café (with Aphotic Theatre); Straight White Men (with Gateway Theatre); The Pipeline Project (with Savage Society); WET; Hidden. Recent theatre acting credits include: Red Velvet (Arts Club); Sunrise Betties (ITSAZOO); God Said This (Pacific Theatre); Our Ghosts (Firehall); Redbone Coonhound (Arts Club). Sebastien is a 4 time Jessie nominated actor: Killer Joe; The Pipeline Project; Marine Life (Ruby Slippers); House and Home (Firehall); and a Jessie nominated playwright for The Competition is Fierce. Recent playwrighting credits include: Eyes of the Beast co-written w/ Kelsey Kanatan Wavey & Gavan Cheema (Neworld Theatre); Father’s Day (part of The Cafe). Film/TV credits include: Poisoned Love; Valley of the Boom; Man in the High Castle; Arrow. Sebastien has a BFA from the Phoenix Theatre, UVic, where he attended with Pacific Theatre’s powerhouse AD Kaitlin Williams.
Director
Director
Chelsea Haberlin (She/Her) has lived most of her life on the traditional and unceded territories of the Coast Salish people, specifically the xʷməθkwəy̓ əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) Nations and is honoured to call this gorgeous place her home. She is the Artistic Director of Neworld Theatre and Associate Artist with ITSAZOO Productions, a company she co-founded in 2006. As a director she has worked with: ITSAZOO Productions, Neworld Theatre, Realwheels, Arts Club Theatre, Firehall Arts Centre, Theatre SKAM, Pacific Theatre, Delinquent Theatre, Studio 58, and many more. Chelsea is forever searching for new ways to surprise and engage an audience and is particularly passionate about meaningful collaboration, immersive environments, community engagement, and reconciliation.
Chelsea has an MFA in directing from UBC and a BFA from UVic and has been an adjunct professor at UBC. She is the recipient of the Sydney J Risk award in directing, the Ray Michal award for an outstanding body of work by an emerging director and a two-time winner, and a five-time Jessie Richardson Award nominee for Outstanding Direction. She sits on the boards Balancing Act and Aphotic Theatre.
Stage Manager
Stage Manager
Jasmin (she/her) is a stage manager working & living with gratitude and recognition that she is an uninvited settler on the unceded & sovereign territories of the Coast Salish peoples of the sə̓lílwətaʔɬ, xwməθkwəy̓əm, Sḵwx̱wú7mesh Nations. She is a fat, queer, 1st generation immigrant POC theatre collaborator, book collector & mother. Jasmin’s artistic practices prioritize radical empathy & intention. Select stage management credits; Behind The Moon(Touchstone Theatre), UNSCRIPTED: Postcards (PTC), Yaga (ASM, Touchstone Theatre), Eyes of the Beast: Climate Disaster Survivor Stories, Fat Joke (Neworld Theatre), Medicine, Truth & Lies (Pi Theatre), How Black Mothers Say I Love You (ASM, the frank theatre), Teenage Dick (ASM, ACTC), The Three Little Pigs (CTYP), Classic Country Roads (ASM, Chemainus Theatre Festival), DAWN, FOR EVER, NOW, WAVE/S, HORIZON/S, OVERTURE/S, Reveal + Tell & What If (ASM, Ballet BC) & East Van Panto: Alice in Wonderland (ApSM, Theatre Replacement).
Production Designer
Production Designer
From colonial Hong Kong to the unceded and ancestral lands of the MST, Stephanie Wong (she/they) is a multidisciplinary artist whose emergent practice straddles live performance and immersive experiences. Her art is an invocation to imagination, which she explores through direction, dramaturgy, new work creation, performance, and design. As the Producer at Vancouver Asian Canadian Theatre and the Associate Artistic Director at re:Naissance, their advocacy is rooted in radical softness and collective care. Stephanie and Melicia Zaini's Nemesis Collective was formed as an antidote to design siloes, centering connection and play. With wholehearted curiosity, expansive conversation, and an appropriate amount of mischief, they aspire to realize characters, stories, and worlds with abundant possibility.
Production Designer
Production Designer
Melicia (符丽霞, they/them) is a queer, Chinese-Indonesian multidisciplinary artist who dances between costume design, visual art, personal essays (localcolour.substack.com), and is currently studying graphic design. Their work is a love letter to colours, finding small joys, community building, and celebrating silliness. As a costume designer for stage and screen, they are particularly passionate about supporting new works and adaptations through design dramaturgy. Nemesis Collective was founded by Melicia Zaini and Stephanie Wong as a playful, exploratory and highly collaborative alternative approach to design, infused with big love and delight. Steph and Mel would love to thank you for wandering/wondering through this world with us.
Assistant Director
Assistant Director
Paige Louter is a queer theatre creator and producer based in so-called Vancouver. She holds an MA in Drama and Theatre from the University of Galway, and is pursuing an intimacy direction practice alongside her work as a dramaturg, performer, and writer. Credits include producing The Café (ITSAZOO/Aphotic) and Sunrise Betties (ITSAZOO), co-producing and acting in The Wolves (With a Spoon/Rumble; Jessie Nomination: Outstanding Production) and performing in The Lonesome West (Cave Canem), Twelfth Night (Tottering Biped) and Coarse: The Brontes (Sarah Deller). Year-round, they work as ITSAZOO Productions’ Co-Artistic Producer and Currently Arts’ Operations Manager. Upcoming: solo shows God Joke Play and Nod (with a work-in-progress showing at Rumble Theatre’s Tremors Festival this June). Paige would like to thank her partner Amitai Marmorstein.
Mental Health Coordinator/Intimacy Director
Mental Health Coordinator/Intimacy Director
Meet Aryn Mott: An award-winning, Queer, non-binary trailblazer and Canada’s first certified Mental Health and Intimacy Coordinator. Recognized by SAG-AFTRA and a proud UBCP/ACTRA member, Aryn infuses every collaboration with vibrant professionalism and a deep commitment to equity and safety.
Aryn’s expertise is unparalleled, with 500+ hours of Intimacy Training, 3,600+ hours ofon-set experience, and over 18 years in Film, TV, and Theatre. They prioritize a consent-based, embodied approach, evidenced by an impressive portfolio of over 100 credits in Intimacy Coordination, Mental Health, and Performance. Notable projects include Shogun S1 (FX/HULU), SUITS LA Pilot, Death and Other Details (HULU), The Ornament, Riding Shotgun, and Lunar Sway. Currently pursuing a Master’s in Counselling and Psychology and preparing for a PhD on performance’s psychological and physiological effects, Aryn is dedicated to advancing the industry’s understanding of mental health.
Aryn is a Progress Pride Committee member at ACTRA National, contributes to UBCP/ACTRA’s Mental Health & Accessibility and Queer Committees, and teaches Empowered Actor and Intimacy for the Actor at Vancouver Film School. They also lead union workshops on mental health and intimacy.
Authentic, knowledgeable, and collaborative. Aryn is deeply grateful to create on the stolen lands of the xwməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) Nations.
Fight Director
Fight Director
Olivier Lunardi has honed his craft with a decade-long collaboration at itsazoo productions, infusing raw energy into every performance. His creative resume extends to multiple acclaimed productions with award-winning director Robert Lepage, showcasing a dynamic fusion of artistry and combat. Beyond the stage, Lunardi's work as a stunt performer reverberates through two decades of martial arts expertise, embodying a seamless blend of discipline and daring. With an indomitable spirit, he brings a symphony of controlled chaos to the world of stage combat.
Counsellor and Theatre Maker
Counsellor and Theatre Maker
Christina Cook (she/they) is an interdisciplinary theatre artist, educator, and psychotherapist. When Christina was a kid, she wanted to be a counsellor like her favourite character, Deanna Troi, on Star Trek, OR she wanted to act alongside Deanna Troi, starring in her favourite TV show, Star Trek. She feels lucky that, as an adult, she gets to do different versions of both. Christina’s theatre-making focuses on trans, nonbinary, and gender non-conforming narratives, and her work advocates gender liberation for all. She is writing and performing in her newest piece, Postcards to My Younger Transexual Self (or YTS), Ages 0-119. Christina’s previous writing credits include the play Quick Bright Things, which was nominated for a Governor General’s award, and ‘A practical (if dated) treatise on the art of genderqueer dancing’ in This is Beyond: A Time Capsule of Queer Experience. In addition to her artistic work, Christina recently completed a PhD in counselling psychology, and she strives to foster interdisciplinary work born from passionate commitments to mental wellness and theatre.
https://www.christinacook.ca/about-me
Options For Sexual Health
Options For Sexual Health
Dawn Petten is both a well known Vancouver theatre actor and a certified sexual health educator. The commonality between the two occupations? A belief in the power of expression. As an actor you may have seen her perform at Bard on the Beach, the Arts Club, and in the East Van Panto among others, and at Pacific Theatre in The Last Days of Judas Iscariot. As a sex educator she has worked for the last 16 years with Options for Sexual Health, and has probably answered every question you can think of about sex, from curious people aged 8 to 80. She runs the Sex Sense program with Options. www.sexsense.org
Counsellor
Counsellor
Kenton Klassen is psychotherapist, Registered Clinical Counsellor, and owner of Beyond the Pines Therapy, where he provides psychological treatment to adults, adolescents, and couples - helping them move toward a greater experience of wholeness. He is also an actor, theatre educator, and former Pacific Theatre apprentice. You may have spotted him on the Pacific Theatre stage in Cherry Docs, The Lonesome West, Gruesome Playground Injuries, The Rainmaker, or Old Time Gospel Radio Hour. Kenton holds a B.F.A. in acting from The University of British Columbia and an M.A. in Counselling Psychology from The Seattle School of Theology & Psychology. You can find him online at www.beyondthepinestherapy.com or on Instagram @beyondthepinestherapy.
Counsellor
Counsellor
Peter La Grand is a Vancouver-based Counsellor who has been involved in the field since 2006 and has worked in many mental health settings, including many years working with vulnerable people in Vancouver’s Downtown East Side. Peter believes deeply in the resilience of all human beings and the capacity of everyone to flourish. Peter is a registered counsellor with the BC Association of Clinical Counsellors (BCACC), and holds a Masters of Counselling from The City University of Seattle, a Masters of Arts in Theological Studies from Regent College, and a Bachelor of Arts from Calvin College.
https://lagrandcounselling.com/about
Vancouver Black Therapy & Advocacy Foundation
Vancouver Black Therapy & Advocacy Foundation
Tricia-Kay Williams is the Owner and Registered Clinical Counsellor of Metamorphose Counselling and Consultation Ltd. Tricia is skilled in treating anxiety, trauma, transitional career and relational issues. She is an active community and social services professional who is a board member at New Hope Community Services for refugees who need transitional housing, and is a Clinical Counsellor and Consultant for Black Wellness at Simon Fraser University. Tricia-Kay is the host of a YouTube channel and Podcast called Meta Transitions that seek to reduce the stigma of seeking help, and champions diversity, equity and inclusion for emerging adults navigating a Life, Career and Relational Transition.
https://vancouverblacktherapyfoundation.com
Counselling
Counselling
https://www.metacounselling.com/
COSA (Circles of Support and Accountability)
COSA (Circles of Support and Accountability)
https://www.cosacanada.com/
Frank Sawatsky has been a Teacher and Counsellor for most of his adult life. He started his professional career at Delta Secondary where he taught Social Studies and Psychology. Later he became a Counsellor and then taught Counselling skills at UBC for many years. After retiring from teaching, Frank was a Coordinator and Trainer for a restorative justice organization called COSA (Circles of Support and Accountability). He worked with many volunteers in setting up accountability circles for over 40 high risk sex offenders who had just come out of prison. In retirement, Frank is enjoying life with his life-long partner Colleen and is a busy grandfather. He helps run an organization called Freshwave Ministries that brings weekly community meals, groceries and clothing to downtown Vancouver and biweekly to Ladner. In his spare time Frank enjoys walking, hiking, playing pickleball and golf, and singing in the Delta Chorale.